ONA are a brand I have been aware of for years and often admired the luxurious finish of their products. But for some reason (probably cost related) I had never considered adding one to my ever expanding collection of camera bags for every occasion. Things changed recently when I received a Leica CL with custom deep blue leather finish, for a birthday present. This is a seriously beautiful camera that begged to be showcased in something equally individual. The original plan was to get a ubiquitous semi-hard case, something I tend to purchase with every new camera. But the CL was too nicely finished to be covered by something as functional as this. It was at this point I considered a small bag that was also suitable to be used as a permanent camera case.
Towards the end of last year, Ethan and myself attended an in-store day held at the Leica Camera Store, Manchester. The purpose of the visit was to get our hands on the newly announced Leica SL2 and see how it compared to the original SL. I have always been fond of the SL after trying one out at 2016’s camera show in Birmingham. However it was the T system that I brought into, comfortable with the fact that it shared the L mount with the SL. While slowly building my T system I kept an eye on the gradual evolution of the L system.
Coming from a traditional film background, I enjoyed the large bright viewfinders of Olympus’ original OM System and it was one of the attributes that made the OM1 so successful back in the 1970’s. My migration path over to digital eventually saw me drop the viewfinder concept altogether, as I embraced Leica's X1, X113 and T cameras. Generally speaking I was happy composing pictures on the camera’s rear screen, but it does have limitations.
Shoulder style camera bags are something I have never really got on with, having a preference to spread the load evenly across my shoulders. But it hasn’t stopped me from trying a few out over the decades – from Billingham’s beautifully tactile products to unknown budget brands… I have owned a few. Except for the Billingham, none have stayed with me more than a year or so, and the Billingham only survived longer as it had become a repository for seldom used gear.
It has been many years since I owned a telephoto zoom lens of any kind. Burned by poor quality third party zooms of the 1980’s, I have consistently ducked getting another and always opted for primes when requiring telephoto focal lengths. This changed when researching a recent trip to the eastern region of Halkidiki in Greece. Part of the itinerary was to visit the town of Ouranoupoli which is close to the border of the Monks Republic of Athos.
This is the lens that captured my interest in the T system around a year ago. Tantalisingly exhibited at the 2016 Photography show but unavailable to the public at the time, it would be several months before I finally owned one. This was not as much to do with supply and demand but more my own prevarication when deciding on what new camera system to purchase. Once I had decided to buy into the T system, my commitment was bolstered by 35mm f1.4 ownership.
September 2016 saw the announcement and release of the sixth lens for Leica’s TL system. Forming the third in a trio of high quality primes, the 60mm lens finally gave the TL system a dedicated macro optic that also doubles as a reasonably fast short telephoto solution. I was keen to ‘round out’ my shooting options with something from the telephoto realm and this makes an interesting alternative to the 55-135 zoom. Of course, given the APSC size sensor, the focal length of the 60mm equates to 90mm which, for me, falls into my ideal focal length of between 85 and 135mm, albeit at the lower end of my requirements.