We have always liked photographing small things and are particularly interested in macro subjects. Due to this, we found ourselves moving in to small product photography not only out of interest but also due to picking up some work in this field. Initially we used similar methods for photographing these small items that we had deployed for our macro work. And while the results were acceptable it was obvious that something more professional was required. This triggered a search for lighting, stages and backdrops of which there are many. As we did not intend to work with subjects much larger than the size of a DSLR body and a couple of lenses, our attention was drawn to Novoflex’s Magic Studio system. Having used some of Novoflex’s products in the past, and been happy with them, we took a closer look which resulted in a purchase.
I admit, I am a bit slack when it comes to reviewing my equipment, it usually takes me about a year before I even consider reviewing it. But it does give me plenty of time to familiarise myself and give it a bit of a beating before I start singing its praise.
It's fair to say more and more people are dumping their compact cameras in favour of using the camera on their smart phone. With that in mind we feel it's time to do our very first photographers review of a smart phone; the iPhone 6S. When Apple first released the specs for the new iPhone camera people took to the forums and expressed their disappointment with the same 12MP sensor used in the previous model. It would seem people were expecting a higher 16MP ccd similar to Samsung's and HTC's latest offerings. But in a world of playing top-trumps with statistics people overlook what really matters, the quality of the image. One of Microsoft's Nokia Lumia’s featured a ridiculous 41MP censor which served only to sound impressive, the reality was it failed miserably when compared to the iPhone 5S’ 5MP camera.
Just over three years ago when I first brought my Pentax K-5 I wanted a lens that would cover me for most situations while I squirrelled money away to expand my system. Naturally I chose one of Pentax’s zoom lenses, the 16-50mm f2.8 which over the years I shared a love/hate relationship with. Optically it was great but it was big and suffered from some strange auto-focus issues. With an upcoming trip to Sicily I could not bear the thought of miss-focused, soft images. You can imagine my delight when the wonderful Pentax announced a Limited 20-40mm zoom lens, I could already see myself stood in front of Mount Etna with this gorgeous piece of kit mounted upon my K-5! I soon returned to reality and realised I needed to devise a way to finance this venture. Goodbye 16-50mm.
I am not one for adding to my photographic gear often, nor do I buy items impulsively, preferring to research my intended purchase for months in some cases. When the Leica X Typ 113 was announced last year I read any information I could find enthusiastically and it soon became clear that this camera was going to be a replacement for my much loved X1…but not just yet…or so I thought.
The past few years have seen a massive leap in mobile technology with devices getting smaller, more powerful and lasting longer on a single charge. But when considering a mobile device for photography out in the field there is one niggling question; how small is too small?
Sometimes it is good to reflect on past photo equipment as it reminds me of where I was in my photographic journey as well as what the technology was like at the time. Several years ago I ran a website called Visionage and have just unearthed a long forgotten backup of the site. Similar to PhotoArk, it contained camera reviews of what we were using back then. I thought it would be fun to reproduce one of the old articles here as I am sure there will still be GR10 aficionado’s out there, or people who are interested in a little bit of camera nostalgia.