This is the first in a series of occasional blog articles featuring our favourite photography walks. Living in Derbyshire for many years and enjoying the great outdoors, it was not long before we built up a whole catalogue of walks ranging from leisurely to strenuous. Many of these routes are walked on a regular basis, in all seasons and weather, and always accompanied with camera gear. I prefer walking in winter and autumn as the light and colours often make more interesting images. Note that these articles are not intended as a walking guide, but are just an indicator as to where to find a walk that we found photographically interesting. Many are what we have made up ourselves, although I am pretty certain some will overlap with those found in walking guides. I am constantly surprised how the same walk can appear so different at different times of the year, and in different conditions – they provide a constant source of new material. Please refer to a good map to plan a precise route and apply the usual common sense regarding warm clothing and food/drink as some locations are exposed.
One of the more discussed topics in photography has to be that of bokeh. For the uninitiated, the term is given to how a lens renders an image’s unfocussed areas, either in front of or behind the subject. Sometimes a lens can produce bokeh of such pleasing quality that it becomes part of the subject matter itself – in many ways desirable, but not always so. And one of the more intangible aspects of bokeh is that its beauty really is in the eye of the beholder; an effect derived from a lens that I find particularly pleasing may not do it for you.
The last few years have seen me deplete my stock of Kodak 35mm transparency film and with no more Kodak stock being made, I have reached a point where I need to evaluate the future of my photography. Having tried other manufacture’s slide films over the decades, I have never really found one that I was taken with so remained with Kodak until the end.
It’s hard to believe it was two years ago since we launched PhotoArk out onto the World Wide Web. At the time, we never envisaged the site evolving as much as it has, especially in such a short time. The images in our libraries have almost doubled, the Blogs & Reviews section has over 70 articles, our Exhibitions contain over a whopping 500 images and we have no intention of stopping there. So, with this in mind we would like to take this opportunity to reflect on what we have achieved and what we hope to achieve in the coming years.
It goes without saying that a holiday away from home is an alluring opportunity to photograph something new; a blank canvas so to speak – a chance to capture something new, or maybe perfect new and different techniques. For me, it is mostly about capturing a family event for future posterity – a pictorial record that helps preserve memories not only for me, but the rest of the family. It is a time when I get carried away with the craft in an effort to create something meaningful to us…a personal souvenir.
Have you ever wondered what those white letters and numerals printed on the lens mount of Olympus OM Zuiko lenses mean? Similarly they appear in the film chamber of some OM Camera bodies, but not all. As serial numbers cannot be used to accurately date OM System bodies and lenses, these relatively inconspicuous codes give away tell-tale information as to when an item was manufactured and at which factory it was assembled.
My office is a cluttered place and fundamentally unchanged for 15 years, so filing cabinets and desk drawers have slowly piled up with detritus over times steady passage. I was exploring one of the drawers this morning and behind several tins of plum tomatoes, mackerel and an old VHS video recorder, I unearthed a Sirius 28-200mm zoom lens. I cannot recall the last time this was fixed to the front of a camera, nor why its final resting place was the back of an old office drawer. But handling it again made me realise just how hefty these things were.