The recent rediscovery of some images taken for a photo restoration project prompted me to write this blog article. I get great satisfaction from taking an old, damaged picture and restoring it to its former glory, although I have spent less time working with this kind of material than I would like recently. Other more recent work seems to get my attention leaving this corner of my interests to gather dust.
So I finally committed to a new camera system after many months of evaluating what the market has to offer. I decided to buy into in the Leica T or TL system as it is now known. With very few exceptions I have never been the kind of person to jump at new technology, preferring instead to remain behind the curve and reap the benefits of a debugged product that usually has the added bonus of reduced pricing. My purchase of the T is no exception and finally found its way into my hands more than two and a half years after its release. Such a long time in the market place has resulted in huge discounts, particularly as I timed my purchase with the announcement of a slightly updated model, the TL. Given the small generational differences between the two (32GB instead of 16GB internal memory) faster autofocus in C-AF mode (which will probably trickle down to the original T in the form of a firmware upgrade) and a pretty new titanium finish with bevelled edges, I am more than happy with the choice made.
Having recently acquired a brand new Leica T, I was surprised to see that it was still running v1.1 firmware and would not recognise my 11-23 zoom lens. I thought I would update the camera to the latest firmware version (1.55) to fix many of the bugs reported over the last couple of years, and also to provide compatibility with all lenses, including the newly released 60mm f2.8 macro.
Readers of the PhotoArk blog will be aware that I have been evaluating different camera systems for the last year with the intent to buy into and build a new system for personal use. Having no commitment to any existing system at present made this job a little easier, as I have very little legacy equipment that I wish to continue using. For the last 18 months I have been using the Leica X and before this, Leica’s X1. Both cameras are excellent performers but I have felt a longing to return to wider and longer focal lengths. The X series camera’s I use have fixed 35mm equivalent focal lengths, excellent in their own rights and one of my favourite angles of view. Both models have provided years of use as my primary cameras and I intend to keep using them well into the future, due to their stunning image quality and portability.
Unfortunately, our beloved Mac Mini finally died over the weekend. It has been showing signs of old age for quite a while but I was hoping I could keep it limping along until next year when I am in a better position to shell out ridiculous amounts of money for a new one! But this wasn't to be, while working on a new feature for PhotoArk it suffered an epileptic fit before restarting, never to boot again! I tried many things to coax it into life but sadly, it wasn’t having any of it. RIP Mac mini!
FujiFilm’s X series of cameras has made a big impact on the market since its introduction in 2010. Starting with the fixed lens X100, it has since evolved into a full mirrorless interchangeable lens system that meets the requirements of most, if not all, photographers. With the introduction of the X100 it seemed that Fuji were taking on Leica in terms of styling, and further models through to the current X-Pro2 also bear this trait. Back when the X100 was released, I was in the market for a fixed lens camera with 35mm equivalent lens so it naturally made it on to my short list of two – the other being Leica’s X1. The Leica won and the rest is history, as they say.
For this walk, we took a complete departure from our usual Derbyshire haunts and discovered this stunning hike along some of the Amalfi coast’s most spectacular scenery. This is not a walk for those who are afraid of heights as some sections of the path cling perilously to vertiginous cliff walls, so it goes without saying that a certain amount of sure footedness is prerequisite.