If ever the phrase “the best (insert piece of kit here) is the one you have with you” rang true with me, it is for the small but well-built Velbon Ultra Maxi Mini tripod. I am the kind of person to worm out of carrying a large tripod around all day if at all possible. True, on some shoots it is unavoidable, therefore I have to endure rather than enjoy their use on these occasions.
This is the lens that captured my interest in the T system around a year ago. Tantalisingly exhibited at the 2016 Photography show but unavailable to the public at the time, it would be several months before I finally owned one. This was not as much to do with supply and demand but more my own prevarication when deciding on what new camera system to purchase. Once I had decided to buy into the T system, my commitment was bolstered by 35mm f1.4 ownership.
September 2016 saw the announcement and release of the sixth lens for Leica’s TL system. Forming the third in a trio of high quality primes, the 60mm lens finally gave the TL system a dedicated macro optic that also doubles as a reasonably fast short telephoto solution. I was keen to ‘round out’ my shooting options with something from the telephoto realm and this makes an interesting alternative to the 55-135 zoom. Of course, given the APSC size sensor, the focal length of the 60mm equates to 90mm which, for me, falls into my ideal focal length of between 85 and 135mm, albeit at the lower end of my requirements.
2016 was a big year for us in terms of building new, and extending existing camera systems, and I cannot believe that a year has passed by since my infatuation with Leica’s TL system began. It would be fair to say that the 2016 Photography Show had a huge impact on my decision and is conclusive proof that such events help greatly when evaluating new systems.
This is the first lens I purchased for my T camera and just the second zoom I have owned in 28 years. Before this, my experience of zooms was limited to budget third party models that often disappointed in both optical and build quality. These memories are probably the reason I rarely strayed into zoom territory, preferring instead high quality primes. A lot has changed over the decades and the performance gap between zooms and primes is now minimal.
Inevitably, the purchase of a new camera system has triggered the shift towards a new bag in which to store and transport it. Post Leica T purchase, I found myself once more lusting after something more utopian that those I already own. Having just used a Leica X for the last few years, I always found my Clik Elite Cloudscape and Vanguard Arlen 49 back packs suitable for the job as they did not need to house much in the way of additional lenses and equipment. At present I could still use either of them as my system is still small (one body and two lenses) but looking ahead I can see myself with at least one, if not two more lenses as well as a few more peripheral items. Additionally, my TL 35mm f1.4 lens is pretty large when the hood is attached and this really does impact on its storage at the moment. Given one of my future purchases is likely to be the 60mm f2.8 macro lens, which has the same size hood, I will soon be running into problems. I also have a Billingham 335 bag which will house the system going forward, but I find shoulder bags heavy and cumbersome.
The recent rediscovery of some images taken for a photo restoration project prompted me to write this blog article. I get great satisfaction from taking an old, damaged picture and restoring it to its former glory, although I have spent less time working with this kind of material than I would like recently. Other more recent work seems to get my attention leaving this corner of my interests to gather dust.