After 35 and 50mm focal lengths, short telephotos are amongst my favourite lenses. Their versatility goes far beyond portraiture to become the third in a trinity of lenses that I covet. For decades I have kept one or two lenses of this criteria in my bag starting with 100 and 135mm Zuiko’s. As I moved into the digital world I added further short tele’s to my collection. Prior to getting into Pentax gear I purchased a Leica APO-Summicron-SL 75 f2 ASPH. And it is the disillusion that came with this lens that caused me to discover what has turned out to be one of my favourite short telephoto lenses of all time - Pentax’s D FA* 85mm F1.4ED SDM AW.
When Leica announced a silver version of the SL2 camera body in July 2023 I immediately sat up and took notice. I have always had a weakness for silver bodies which can be traced back to my first days of camera ownership. Initially there were three sticking points that reluctantly made me pass it by; 1) I had taken delivery of a SL2-s a few weeks prior to the announcement. 2) The cost was very high - much higher than the SL2-s. 3) At that time I was not keen on the higher (47) megapixel count.
Since starting out in photography, long or fast telephoto lenses have been a perpetual attraction. My interest has always been borne out of curiosity rather than a requirement, as I have never been dedicated to specific genres that require their use on a regular basis.
Not being one to waste any time once my 2025 camera gear budget was available, I started scouring the sales for one of the smallest short telephoto lenses in existence. I had become intrigued by this 70mm lens some months ago after reading much positive information from many sources. SRS Microsystems in Watford had a deal on the lens that I could not pass up, so barely a day into the new year I was playing with my new toy.
As part of building my second camera system to tinker with, I drew up a list of lenses that I intended to add in the future. For me, a good 50mm lens is an essential core component as I find I gravitate towards this and the 35mm focal length often.
Pentax have produced a slew of 50mm lenses over the years, so there were rich pickings from which to make a selection. At the time of purchase I had only the APSC Pentax K3 mkiii, but it had always been my intention to add a larger 36x24mm sensor Pentax camera at a future point. It is how I built my Leica system; to have both APSC and 36x24mm formats allows two different focal lengths for the price of one to be exploited (assuming those lenses are designed for the larger format). It was with this in mind that I started researching the market to see what what out there.
Santa was exceptionally kind in 2024 as a silver edition of Pentax’s K1 mkii was waiting under the Christmas Tree for me! To be honest it was not a surprise as the family had purchased and squirrelled it away during the summer after I found one brand new in the box. As I had spent my 2024 camera allowance by the time I found it, a generous combined family Christmas and Birthday present was the only way I could secure it.
Introduction and Background
In today’s age of mirrorless cameras, DSLR’s have become something of a dying breed and defined on the whole by mature examples provided by Nikon, Canon and Pentax. It appears to be the latter of these three brands who have taken on the task of creating a niche for themselves by shunning mirrorless technology in favour of the DSLR. While Nikon and Canon maintain a foothold in the space, they do so with products that are several years old. Pentax, however, have reiterated that they remain committed to DSLR (Digital Single Lens Reflex) style cameras and continue to push the boundaries on very mature products.